The New Opinion-Shapers

Diposting oleh Miras Jogja on Minggu, 10 Juli 2011

There is no question that the business of news, and the experience of consuming it, has been irrevocably altered by the internet and the pervasiveness of real-time information channels. As with any transformative wave, structural changes that enable new opportunities dictate new norms and institutions be built for society to benefit from these civic tools. Real-time news is no exception. As one of a few critical enablers of a well-functioning information-delivery topology, it’s worth considering how we interact with news today, and how our perspectives are directly shaped by this interaction.

A bit of history: Before newspapers were broadly available, societies relied on word-of-mouth to transfer news, beliefs, opinions, and in general, all forms of social commentary. Word spread slowly and information was often completely asymmetrical; those conveying the information selectively released whatever furthered their cause.


That was bad, and public-facing transparency (i.e. what really happened) was often quite poor.

Gutenberg began fixing this problem back in the 15th Century — for the first time information was available to more than just select scholars and royalty (albeit far from all). With the rise of more widely available media in the 1800s, people found themselves with the capacity to access news on a regional — then once the telegraph hit — hyper-regional level.


Still, strong bias persisted. A modern observer looking back at the newspaper business at the turn of the last century would be staggered by the heterogeneity of options available (see post for a discussion on number of NY-based newspapers in 1800), and the shocking (even by today’s standards) magnitude of slant taken by virtually all of them.


Through all of history, news outlets have catered to self-selecting groups to reinforce beliefs. The now widely-accepted journalistic credo of unbiased or objective reporting was an antibiotic response to this tendency of news-media owners and editors to shape opinion not just through the op-ed (itself a nod to separation of 'church and state') but as a way of giving people what they wanted: the ability to form their own opinions based on whatever facts they could harvest.


This same dilemma manifested again at the advent of radio, and on into television, with its unique ability to deliver ‘seeing is believing / video doesn't lie’ (actually it often does) experiences far beyond the ‘picture worth a thousand words’ or ‘voice of authority’ characteristics of either prior medium.

In restrictive regimes this powerful communications medium was - and frequently still is - used to benefit the few. Such is life. In essence, to use a technological example, we went from a terribly inefficient version of node-powered information-delivery (i.e. people talking) into centralized, authoritarian-by-proxy opinion generators… The master-servers telling the nodes what to believe.

The internet changed all of this. Borrowing from its client-server architecture, it flipped the model back by restoring substantial power in the form of inputs to the edge. But both latency and trusted contributors remained problematic.


Today however, news audiences can now manufacture the news, or play a substantial role in shaping its contours and velocity. (Reminds me of Thomas Friedman’s quote about blogging being the equivalent of firing off mortar rounds into the Milky Way Galaxy. Then again, he also said “bang bang = tweet tweet”).

We blog, we post to Facebook, we send tweets of the things we see, hear and think. The near-zero variable costs of content production mean that every client is now a server—we are all creators of news once again (this time broadcast-enabled). Every year we rely less on centralized sources, even those presumably trusted to be dispassionate reporters of fact. For example, Out of the 500 million or so observed net-based videos last month, something like ten million were from the traditional networks. Just two percent.

Thus, we find ourselves back to the future; a world where reasonably complete information (certainly by any historical measure) may be known - and transmitted - essentially real-time. Which is great.  Arab Spring is a shining, positive current-day example. This simply could not have happened even five years ago. (Did you know some colleges now offer majors in Liberation Technologies?). Of course, we still wrestle with what I would call ‘mid-casters’ like Fox News who overtly shape opinion (from their perspective as their own antibiotic response to a perceived liberal media).


[Side note: I'm with Jon Stewart on this one… Mainstream media may have some liberal bias no doubt forged in part by living relatively low-paying, hard-working lives often covering rulers of whatever empires appear in their field of vision. But their actual coverage, while attempting to remain true to fairness in reporting, is driven more by sensation-seeking (i.e. drives viewership which drives in-newsroom reward systems) and laziness (i.e. 'why bother no one really cares about details anyway' cynicism)—but not policy-driven. This is not to suggest there exist no liberal commentators, but mainstream media in relatively free societies generally make an attempt at balance. A gift for viewership… Who can then arrive at their own informed opinions.]


Predator? Prey? Seed Eater? Yes.

Which brings me to twitter (and its clones, cousins, neighbors, etc.)… What a wonderful, powerful, useful, informative, exhilarating (insert other superlative here) international treasure. A gift for humanity. Will it ever really make money? Beats me. To some extent I hope not beyond covering costs, given the propensity for money-distortion effects. I don't want sponsored tweets --I want facts, opinions and coverage -- I can sort out the bodies myself (with my own biases, of course—just like you :).


 Can making money tip the scales on what we hear?

But ultimately twitter and other edge-generated news sources require us to reconsider our mores around news and how it’s being broadcast, and how our societal dialogs get shaped by the ways in which information is transmitted to us (and by us). The sheer velocity of transmission and our own cranial limitations at processing even small parts of the terrain means we nodes latch onto the bits we see, tend to retain those already in sync with our mindset, and then re-trumpet — all with little reflection precisely because of the rapid nature of the medium. This is one of the downsides of a more symmetrical, very high-speed information-delivery system.

And it's a doozy. The court of public opinion now fosters near-instantaneous condemnation, polarization and, as I like to refer to it, Opinion-Shaping. Facts be damned. Did he do it? Internet Magic 8-ball of your choice says… Yes. Thus, it must be so. Next.


This is a problem. A big one. Along with node-powered content-generation come a series of responsibilities, not just on the part of the authors - who will always bring their respective biases (intentional or otherwise) to the table - but on the part of all of us, the creator-consumers. While encumbered with our own bias, we must preserve constructs like benefit of the doubt, innocent until proven guilty, two sides to every story (insert clichè of choice here) or we damn ourselves to sheep-like acceptance of someone else's (often so well-crafted as to appear entirely 'uncrafted') view, and move on without a second thought. This is especially important now that we are all broadcasters.

In the end, the ability to choose our news sources and curate news for those who happen to listen to us means that all of us must exercise a measure of critical thought that was perhaps less necessary in an era where people could rely on Walter Cronkite (or the local equivalent) to curate information. With atomized, real-time news that often hasn’t been adequately fact-checked and is frequently produced or delivered by anonymous sources whose biases we have no real means of ascertaining, the need for filtering and some yet-to-be developed tools or norms is critical.

Do you see two pricks, or just one?

To wit… Did DSK, the French guy from the IMF, do the bad thing? I don't know. But most believed it—and knew about it—ten minutes after he was hauled off that plane. And not just because it was plausible and has certainly happened time and again somewhere, but because the memes from the net said it was so IN THIS CASE. Sounds like maybe we all got it wrong. And what of Casey Anthony?  What do we really know, versus what many (most?) chose to immediately believe?  Hey, if they're guilty, I stand ready with torch and pitchfork; but if we can't trust either the message or the medium, what do we have?

Sometimes we get it right—Anthony Weiner comes to mind—but here, too, opinions were already shaped on both sides (well, mostly one :) by enormous numbers of people around the world long before the actual facts were, um, exposed.

                                      Does This.....                    Plus This.....                       Equal This?

The great thing about this node-powered medium is that the mere threat of exposure can, and does, change behavior, mostly for the better. The inherent danger though, is we need to self-regulate, or the overflowing buffers that are our brains will snap-judge and move on as a defense mechanism against too much unceasing stimuli. We cannot read everything about everything; no one has that kind of time. Though I’m not sure the solution lies in applications that allow you to take any written exercise - no matter the density - and distill it down to a few hundred characters. Here's a state-of-the-art example of this entire post compressed into one tweet-sized morsel via Trimit...

)… What a 1derful, powerful, useful, informative, exhilarating (insert superlative here) international treasure ...(

Then again, maybe it does.

I guess it kind of goes back to Siddhartha… if we don't listen to the river, we can miss what's actually important.

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WSJ: "She's the Boss" Interview with Emily Glazer

Diposting oleh Miras Jogja on Rabu, 06 Juli 2011

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The White Loop Quarters

Diposting oleh Miras Jogja on Rabu, 11 Mei 2011

Sometimes you have 4 walls, a pale ceiling, some windows and an opening to a terrace and a bright flooring, you love it and yet you hate! You want a change, you want to liven it up again, re-do it without breaking a bank or endure a complete re-model. The answer is-you guessed it-in the details.

The changes I'm suggesting fall into four main categories:
Walls
Lighting
Furniture
Accessories

You'll be surprised at how much you can do with a paintbrush and acceptance of the fact that less really is more -

Walls



A major change that will occur in your house is after you paint. Start by the basic, how do you want your room to look? Bright, Colourful, Pale, Pastel? What colour will match the shade of your floor and furniture? Test some colors in different lights. Experiment.Do not be scared to try something new. The White Loop Quarters project I worked with, needed light, lots of it. It has a low ceiling and maroon flooring which made it look smaller despite a good room size.

Lighting



Just like you wear a beautiful necklace to accentuate your dress, lighting makes whatever else you have on look even better. It transforms the place and brings in warmth. Dim spots in the room can be highlighted with standing lamps. In this room I wanted to make it look cozy yet bright hence standing white lamp against the yellow walls gave a gentle glow to the room.

Furniture



One of the important elements of re-doing space is furniture. The living room had too many subtle tones of yellow, brown and white. I needed to perk it up yet, not pick anything too bold which would make the room look smaller. Hence the sofas were designed and made with teak wood and turquoise polka dots upholstery. We threw pink cushions on it to give a slight splash of colour.



A slender 'L' shaped coffee table was made which essentially consumed less space and a taller side table was fixed in the corner to add interest and scale. The room felt clean and roomy. Such an obscure piece of furniture, sometimes, does the deal!



A tall pane-like entertainment centre was placed diagonally with the wall. It served a purpose of a divider between the living and dinning area and it concealed the clutter. No place in the middle of the room could be allocated to accommodate the TV and its accessories since it could kill the perception of space. Hence an odd wall was picked to showcase the same.

Accessories





Pillows, pots, lamps.....flowers, etc add visual interest and substance. Accessories are both a blessing and a curse. This living room benefits from the bold pink pillows on the turquoise blue sofas.



Another accessory is the mantle or shelf fixed on the wall. Framed by red vases, and stripped of clutter, the mantle looks clean and dramatic.



One of the real focal points for the room is the White Loop divider! The huge room had to be segregated into two - living and the dinning. White, cascading loops being the pattern, stole the show! It gave a punch to the room and yet did its job of partial separation!



What you are is what your home is....isn't it? Hence, with the 4 fundamentals of Wall, Light, Furniture & Accessories, this space was converted into a serene, cozy, warm and a welcoming quarter.
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The Black Taxi Exhibit - Colour & Design being the Theme!

Diposting oleh Miras Jogja on Senin, 25 April 2011

Its just so nice to be among people who inspire you. Inspire you to create more, inspire you to make use of every little wasted material, inspire you to learn how to use different materials, colours etc! The Black Taxi exhibit inspired me to do all these things. I loved meeting so many wonderful designers and artist. It was my first display or exhibit made in Mumbai and I loved every bit of it.



So the above picture is the overall outcome of the little stall we rented. Kanika Bahl from Anek Designs & myself decided to share a stall since both of us knew each other through common connections! We'd also seen each others work and were super excited about how perfect our stall was going to come together.



I love this little spot! I displayed my burly mirror which I called Floral Goodness on the hand woven stool called Desi Moda and threw some of Kanika's lovely pillows to bring in the cosy look! It looked so splendid that I sold off the mirror!



Another side of the stall got a lot of attention too. It was the peacock themed stools painted in bright bold colours! I call them Serene Plumes & Curvy Plumes!



Bringing my colour stained easel did help! I displayed the unique little Bluesome Vespa mirror on it! It was so retro-ish and loved by all passer-bys.



I was glad to have Ms. Priya Dutt visit our stall. She not only admired the art and effort behind the textile and my designs but also genuinely appreciated our creative skills.



Some of us, bloggers came together and posed for a nice shot! May be some day we'll all actually get to meet and catch up on each others stories!

Just thought I'll a few more pictures!







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Lively-wood exhibits on Apr 22nd-23rd @ Executive Enclave, Bandra(W), Mumbai

Diposting oleh Miras Jogja on Sabtu, 02 April 2011



For more details click on to Black Taxi Facebook Page

Some more designers present at the exhibition are -


Check it out on Anek Designs


Check it out at Artnlight

And more....of
Spyra - contemporary and trendy handcrafted jewelery
Limited Edition - funky, printed and unique bags
Tuesday Afternoon - ashion apparel and accessories
Riddhika Jesrani Jewelry
Masala Chai
Ai.ko
Pink Tonic - ontemporary fashion brand
Matsya - traditional Indian crafts
Pushme Pullyou - quirky graphics meet chic craft on bags, notebooks, scarves
Chromackey Designs - designer stationery
Velvet Frost - Cupcakes, Cakes and Cookies
Black Taxi....

After a long time I want Lively-wood to go public!! I hope to see you all there!!
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Organizing Art on Wall....Not A Big Deal!!

Diposting oleh Miras Jogja on Kamis, 24 Maret 2011

A lot of us pick up art and wall accessories from various places we travel or as and when we see something interesting. Once its home, it is either lying around somewhere or we get all stressed about getting it up on the wall! How do I drill holes in the wall? How high should it be mounted? How can it be arranged with other pieces to create an inspired statement? Lets talk about getting this job done with less stress and yet be safe, secure and beautiful!

Basics & Style



Step I: When you’re ready to hang the art, the next step is choosing where each piece should reside. If you decide to put more than 2 pieces of art together, make sure how they look good. If the wall is narrow and verticle, perhaps putting them one below the other may bring out its beauty. Or if the wall is wide, placing pictures horizontally might be more appealing.



Step II: When hanging a pair of works, one above the other, treat them as one large picture. It doesn't matter if they are the same or different sizes.



Step III: There is no right or wrong way to do it. Always start from the middle, pick a focal picture or art and work your way out. Work your proportions keeping the central artwork. It isn't even sometimes necessary to have a sequence or logic.

Step IV: Always ask someone to help you to hold these pictures against the wall for you. Then you can take a step back to see what the space is going to look like, understand the proportions and colors, best suited to the wall or the room.

Proportions & Spacing



Step V: Usually, while hanging art, the center of the picture should be about 60-65 inches off the ground, which places it at eye level.



Step VI: For spacing between art on the same wall, 2-3 inches are used for medium or large size pictures or 1.5 inches for smaller frames. Now, note that the same spacing is important above, below, and on either side of each frame.



Step VII: Lastly, do not be stressed about hanging pictures on the wall. It needn't be perfect or logical. As long as you have worked on your basic proportions, things can't go very wrong. Infact changing displays of art every once in a while freshens things up and lets you display your new work or collection!
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Leisure Lounge @ Home!!

Diposting oleh Miras Jogja on Senin, 21 Februari 2011

Most of us have little getaways from our mundane lives; and certainly, we need to have at least some of them near us! Well that’s how the idea of the Leisure Lounge came up!

A room not bigger than 200 sq ft needed to be converted in to a lounge area which would accommodate several things and yet make it look like a lounge. The area needed to fit in a book case, study, storage, loft, a bar, a cabinet to showcase a shot glass collection and a stage to accommodate a drum set and other smaller drums from West Africa and Middle East. Now the challenge was to be able to fit so many things in 200 sq ft without cluttering the space and still making it look classy, roomy and artistic!



Very few people have an inclination of collecting something special that will remind them of a place, person or an incident. Here, the challenge was to be able to accommodate over 120 shot glasses collected from travels all over the world. A cabinet had to be made to display, preserve and present the collection.



Next came in another very interesting feature yet a little discreet and innovative. A bar had to be made in a way that an outsider would not know, yet when opened, gave you a surprise! A chic painting with miniature bottles studded on the door of the bar makes it unique and funky! Along with a regular bar, a mobile wine cellar with bottle holders and a tray was also made to be able to push it around to other rooms.



Since this room is a mixture of some fun and work, a study and book case had to be accommodated. More than 200 books needed to be placed and protected from the ever increasing dust. Despite the space constraint in the bookshelf, a small feature had to be added to break the tedium of the quadrangle. An illuminated square was fixed off centre in the bookcase with zigzag shelves which flaunted odd some objects breaking the monotony of its content.



A long desk was made with two storage cabinets. The one on the left was made permanent while the one on the right is movable in order to fit two people on the same desk if need be.



Lastly, the room couldn’t be complete without a platform to hold a striking collection of drum set. The reason for the elevation of the podium was to reduce noise and vibrations produced while playing. Taking advantage of the height, some storage was also created under the stage. The wall and door that bordered the drums was demolished and a glass was fixed in order to cut the noise that made its way outside.



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